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- The game's title "Remothered" is a deliberate puzzle. It could mean as something "mothered again" or "born again"[1], but it is also a combination of words rem, moth, mother, other and red, all of which are referring to the game's story and symbolism.[2]
- Tormented Fathers storyline was written after Broken Porcelain and is loosely based on the original Remothered's intended sequel Remothered: Grave Torments.
- In the sequence on the loft Jennifer hides among the mannequins before assaulting Rosemary similarly to Bobby Barrows in the original Clock Tower game.
- During the first chapter of the game, in the streetway near Felton's Villa and and the kids' playground, there's a clear tribute to the Clock Tower saga and The Exorcist, the 1973 cult movie. A movie poster promoting Scears, a fictional horror movie directed by a phantasmal Gilliam Frederick (a reference to William Friedkin, the director of The Exorcist) with a pair of scissors as main detail of the picture (a reference to Clock Tower's Scissorman) in front of a scene of a backlighted woman in the fog. The art style of the poster is reminiscent of the original one promoting The Exorcist movie at its theatrical debut in 1973.
- Another poster for a movie called The Stranger: The Valley of Death is a reference to The Stranger, a Spaghetti Western film series.
- In Forgotten Memories: Alternate Realities, the Red Nun makes a cameo as a painting as well as the little Jennifer. This was an easter egg by Chris to say to fans wondering about the game's future development that "they're still alive and they're looming over other universes too".
- According to Chris Darril, the game's original sub-title was meant to be The Gardener, referring to Richard Felton whom he considers the true protagonist of the game:
"Actually the true 1st Remothered protagonist, in my opinion, is and still remains Felton. Plus, I conceived all the characters as flowers and bugs, the victims first, the killers second. The gardener was the one giving them the right equilibrium of life and death...[3]"
References[]